Learning how artists use simple facial guides to position features.

Developing a sense of proportion between head, neck and features.

Observing their own face closely using a mirror.

Using directional light to identify highlights and shadows.

Exploring shading techniques such as cross-hatching.

Understanding how light and dark create a sense of three-dimensional form.

Translating pencil drawings into painted studies.

Handling brushes and acrylic paint with increasing control.

Learning when to thin paint with water and when to apply it more thickly for texture.

Understanding primary and secondary colours.

Mixing lighter and darker shades using white generously and black sparingly.

Creating expressive portraits using:

• One study in shades of blue.

• One study in shades of red.

• Optionally, a third in a secondary colour such as green or purple.

Experimenting on multiple versions to reduce pressure.

Reflecting on which versions feel most expressive or successful and why.

Discovering that looser, more experimental work can often feel more alive.